Morning light falling across a quiet jungle quarry
About

Why I tell fables

I'm Jules Kesabaran, and I believe the best stories are the ones that slow you down.

I grew up believing that evenings were made for stories. The lamps turned low, a cup of something warm in hand, and the day finally letting go of its grip — that was when the best tales arrived. I still think it's true.

My inspiration came from the stories I read when I was young. I carried them around like treasures: Rudyard Kipling's The Jungle Book, Jules Verne's Twenty Thousand Leagues Under the Sea, Kenneth Grahame's The Wind in the Willows, and the Tales of Robin Hood. Each one was an adventure, and each one — without ever seeming to try — was also a quiet lesson about friendship, courage and patience.

Those books taught me that a story can be two things at once: a journey you can't put down, and a gentle hand on your shoulder. That's what I want my own fables to feel like for new listeners — exciting enough to stay for, slow enough to learn from.

I tell fables about animals because animals let us talk about the hard things gently. A mongoose learning patience, a peacock learning to keep his word, a small tarsier who sees everything but says very little — these are just our own worries wearing fur and feathers. It's easier to be brave for a sun bear than for ourselves, sometimes.

Some of the stories I’ve admired

  • The Jungle Book
    Rudyard Kipling
  • Twenty Thousand Leagues Under the Sea
    Jules Verne
  • The Wind in the Willows
    Kenneth Grahame
  • The Tales of Robin Hood
    the old English legends
An open notebook beside a warm fire and a cup of tea
How I write

Evenings, tea, a notebook

I write in the evenings, when the noise of the day has gone. There's tea — always tea — and a worn notebook that's seen more crossings-out than finished pages.

I read each line aloud as I write it. A fable is meant to be spoken before it's read, so I narrate the chapters as I go, listening for the rhythm the way a carpenter listens for a true joint. If it sounds right by lamplight, it is right.

That's also why the audio series exists — the stories were always meant to be heard, in a quiet room, on a slow evening.

Come and listen

My first book, Beneath the Mangosteen Tree, is told as an audio series on YouTube — Stories under a Mangosteen Tree. Pour something warm and start from chapter one.

A note about Jules

Jules Kesabaran is a fictional character and a pen name, shared by a small group of writers who simply love storytelling. Everything here — the fables, the characters, the evenings beneath the mangosteen tree — is imagined with care, and offered in that same gentle spirit.